Mountain View Woman 10‑Sec Video Prompt

The Genius Prompt

<WritingBlock id="73156" variant="standard">Create an exact 10-second, 16:9 landscape, 30fps, normal real-time-speed, ultra-photorealistic cinematic live-action video using @IMAGE1 as the strict character identity reference. Preserve the exact facial identity of the person represented by @IMAGE1, including face shape, facial structure, proportions, eyes, eyebrows, nose, lips, jawline, cheeks, chin, skin tone and natural asymmetry, with ZERO identity drift, face replacement, facial restructuring, beautification or unintended age change. @IMAGE1 controls ONLY the character's identity; the written prompt controls the clothing, actions, movements, environment, camera positions, shot sequence and timing. Recreate the complete visible sequence in chronological order using the explicit shot descriptions below. Do not invent additional actions, locations, objects, poses or camera movements. Maintain normal real-time speed throughout.

CHARACTER AND WARDROBE: One woman with long, loose, dark hair, wearing a light beige or cream long-sleeved cropped top, black loose-fitting trousers and dark footwear. Her hair hangs naturally down her back and moves with her body. Preserve the same outfit, hairstyle, body proportions and appearance throughout every shot. Do not add jewelry, bags or other accessories that are not clearly visible.

ENVIRONMENT: An outdoor mountainous viewpoint in daylight. The background contains extensive layered blue-green mountain ridges, a hazy pale sky, a valley settlement with clusters of small buildings and rooftops, rocky ground, patches of green vegetation, and small yellow-orange flowers. One location includes a winding paved mountain road with a metal guardrail and a rocky slope. Another view contains a vertical pole near the woman with the valley behind it. A low rectangular concrete platform is visible beneath the woman in several shots. Preserve these elements only in the shots where they are visible. The overall lighting is natural daylight with a slightly hazy atmosphere.

SHOT 1 — 00.00–01.52 SEC — WOMAN ON THE RAISED PLATFORM: Begin with a wide side view of the woman standing on a low rectangular concrete platform against a large mountain panorama. She is positioned near the center-right of the frame, facing screen-right in side profile. Her long dark hair falls down her back, and she wears the cream long-sleeved top and black trousers. She moves naturally along the platform and brings her hands toward her head, briefly touching or adjusting her hair. Her elbows bend and her head tilts slightly as she makes this movement. Keep the camera in a wide, stable composition, showing the platform, mountain ridges, hazy sky and sparse vegetation in the foreground. Do not add extra gestures or exaggerated body movement.

SHOT 2 — 01.52–03.02 SEC — REAR THREE-QUARTER VIEW ABOVE THE VALLEY: Hard cut to a wider view from behind and slightly to the side of the woman, now standing on uneven rocky ground overlooking a valley settlement. Numerous small buildings are visible across the lower background, with green mountain slopes rising behind them. The woman faces generally toward screen-right and away from the camera. She extends both arms forward and outward, then leans her upper body slightly forward while maintaining her footing. Her long hair hangs down her back and moves naturally. The camera remains in a wide composition, preserving the rocky foreground and distant settlement. Do not invent a camera tracking movement.

SHOT 3 — 03.02–04.65 SEC — WOMAN CONTINUES MOVING ON THE ROCKY VIEWPOINT: Continue with the woman against the same valley and mountain background. She moves her arms from an extended position toward her head and upper body, briefly lifting her hands near her hair. Her torso shifts naturally, and she adjusts her stance on the uneven ground. Her black trousers and cream top remain unchanged. Keep the woman in the middle ground and the buildings and wooded slopes visible behind her. Preserve the order of her arm movement and posture changes without adding dancing, spinning or additional steps.

SHOT 4 — 04.65–05.55 SEC — SIDE VIEW NEAR THE VERTICAL POLE: Hard cut to a closer side view of the woman standing beside a vertical pole near the right side of the composition. She faces screen-left, with her head slightly lowered and her hands held near the front of her torso. Her long hair falls over her back and shoulder. The valley settlement and green mountain slopes remain visible behind her. Keep the camera fixed and preserve the pole's position relative to her body. Do not invent camera movement or additional interactions with the pole.

SHOT 5 — 05.55–06.25 SEC — RETURN TO THE MOUNTAIN PLATFORM: Hard cut back to the wide mountain-platform composition. The woman stands on the raised concrete platform in side profile, facing screen-right. She leans her upper body slightly forward and raises one arm toward her head while the other arm remains closer to her torso. Her long hair follows the movement naturally. The mountain ridges fill the background, and sparse plants are visible near the platform. Preserve the wide framing and natural daylight.

SHOT 6 — 06.25–07.15 SEC — WOMAN STRAIGHTENS AND SETTLES HER POSE: Continue with a side view of the woman against the same mountain landscape. She straightens her upper body slightly and brings her raised arm back toward her body. She makes a small natural adjustment in her standing position while remaining on the platform. Her head remains generally oriented toward screen-right, and her hair falls down her back. Keep the camera steady and retain the same mountain background, platform and natural lighting.

SHOT 7 — 07.15–08.12 SEC — SIDE PROFILE AGAINST THE MOUNTAINS: The woman remains in side profile, standing on the platform with the layered mountain ridges behind her. She makes a small head and upper-body adjustment, keeping her arms close to her body. Her long dark hair remains loose, and her cream top and black trousers remain unchanged. The camera continues to show her from a medium-long distance. Do not add walking, a turn toward the camera or any new gesture.

SHOT 8 — 08.12–09.05 SEC — WOMAN IN FRONT OF THE MOUNTAIN PANORAMA: Show another side-oriented view of the woman against the same broad mountain landscape. She stands facing generally screen-right, with her head slightly lowered and her hands close to her upper body. Her posture remains natural and relatively still. Preserve the visible mountain layers, pale sky and outdoor daylight. Use a direct cut into this composition without inventing a camera movement.

SHOT 9 — 09.05–09.65 SEC — WIDE VIEW OF THE WOMAN ON THE PLATFORM: Return to a wider view of the woman standing on the concrete platform with the mountains extending across the background. She remains oriented toward screen-right, making only a small natural posture adjustment. Her arms are held close to her body, and her long hair hangs down her back. Keep the platform and nearby low vegetation visible.

SHOT 10 — 09.65–10.00 SEC — FINAL WIDE LANDSCAPE: End with a wide view of the mountainous landscape and the woman appearing relatively small within the composition. Preserve the mountain ridges, pale hazy sky, and visible foreground vegetation. The woman remains standing naturally, with no additional gesture or newly introduced action. Finish at exactly 10.00 seconds.

CAMERA AND CONTINUITY LOCK: Preserve the chronological order of the woman standing on the concrete platform, moving her hands near her hair, extending her arms while facing the valley, adjusting her arms and posture, appearing beside the vertical pole, returning to the platform, and ending in wide mountain views. Use direct cuts only when the camera composition or visible location changes. Do not invent pans, tracking movements, zooms, dolly moves or orbiting shots. Keep the woman's identity, hairstyle, cream top, black trousers and body proportions consistent throughout. Maintain realistic human anatomy, natural hair movement, believable clothing physics, stable mountain scenery and natural daylight. Preserve the visible differences between the rocky viewpoint, the pole location and the raised platform. Do not combine them into a single continuous location if the framing changes indicate a cut.

POST-PRODUCTION EXCLUSIONS: Do not reproduce lyric text, decorative typography, captions, logos, watermarks, artificial flashes, transition graphics, artificial zoom effects or editing-created motion blur. Do not add other people, vehicles, props, jewelry, bags, scenery or actions that are not specified. Do not invent facial expressions when the face is not clearly visible. Maintain normal real-time playback at 1× speed. No slow motion, speed ramps, freeze frames or artificial time remapping.

EXACT TIMING LOCK: Shot 1 = 1.52 seconds; Shot 2 = 1.50 seconds; Shot 3 = 1.63 seconds; Shot 4 = 0.90 seconds; Shot 5 = 0.70 seconds; Shot 6 = 0.90 seconds; Shot 7 = 0.97 seconds; Shot 8 = 0.93 seconds; Shot 9 = 0.60 seconds; Shot 10 = 0.35 seconds. TOTAL DURATION = EXACTLY 10.00 SECONDS. Output format: 16:9 landscape, 30fps, ultra-photorealistic live action, normal real-time speed. Preserve the specified scene order, visible landscape, wardrobe, natural body movements and camera compositions. No unexplained gaps, no merged shots and no additional content.</WritingBlock>