Urban Metro Song Video 10s Full AI Prompt

The Genius Prompt

Create an exact 10-second, 9:16 vertical, 1080p, 30fps, normal real-time-speed, ultra-photorealistic cinematic live-action song video. Use the uploaded character reference image as the ONLY source of truth for the man's exact face, facial structure, hairstyle, skin tone, facial hair, body build, height and natural body proportions. Keep the SAME person perfectly consistent throughout every scene with absolutely no identity drift, face morphing, facial reshaping, body reshaping or hairstyle change. Preserve his natural body build exactly as shown in the reference — do not add extra muscle, height, width or bulk. OUTFIT LOCK — same throughout all scenes: a clean oversized/boxy-fit WHITE SHORT-SLEEVE BUTTON-UP SHIRT with a proper shirt collar and clearly visible front buttons, relaxed blue street-fit jeans, clean white low-top sneakers, and simple white wired in-ear earphones worn in BOTH EARS, with thin white cables naturally running down from the ears and resting around the neck/front of the shirt. IMPORTANT: this is a proper BUTTON-UP SHIRT, NOT a T-shirt, NOT a polo shirt, NOT a round-neck shirt. Keep the exact shirt style, collar, buttons, loose boxy fit, sleeves, jeans, sneakers and earphones consistent in every scene. LOCATION LOCK — SAME OVERALL LOCATION THROUGHOUT: a large urban railway/metro station at night, with passenger trains, long platforms, metal railings, covered station structures, steel beams, overhead roofing, illuminated signs, station benches, platform corridors, stair/lift areas and practical station lights. Every scene must use a DIFFERENT AREA, ANGLE or COMPOSITION of this SAME railway station; do not change to another city, another station or an unrelated location. COLOR & VIBE LOCK — premium emotional urban song-video aesthetic: deep cinematic blue/cyan night tones, cool teal shadows, warm orange/red railway lights, bright cool-white fluorescent practical lights, realistic neutral skin tones, controlled contrast, subtle atmospheric haze, reflective platform surfaces, soft background bokeh and cinematic depth. Maintain the same color language and exposure across all scenes. Create EXACTLY 8 DISTINCT CINEMATIC CUT SHOTS. Each scene must be a separate hard cut with a different area/composition of the same station. Do NOT turn the video into one continuous take and do NOT invent connecting movement between separate scenes. SCENE 1 — 0.0–1.0s — TRAIN ARRIVAL / TIME INTRO: Wide establishing shot of the railway platform at night. A passenger train is arriving or moving along the track while an illuminated electronic station display/time board and platform signage are clearly visible, establishing the time and location. The man is seen naturally from behind or in the foreground watching the train/time display, relatively small in frame. Keep the camera stable and observational. No unnecessary character gesture. HARD CUT. SCENE 2 — 1.0–2.2s — WALKING BESIDE TRAIN: Hard cut to a completely different area of the same platform directly beside a passenger train. Wide side-profile shot. The man walks naturally parallel to the train at a calm steady pace, moving across the frame with relaxed arms swinging naturally with his footsteps. He looks forward. Keep the train windows, doors, platform edge, overhead structure and station lights visible. Camera tracks smoothly parallel to him at approximately the same speed as his walking. HARD CUT. SCENE 3 — 2.2–3.5s — SITTING AT STATION: Hard cut to a different station area containing metal waiting benches. Medium frontal/three-quarter shot. The man sits casually on a metal station bench, leaning slightly forward with forearms near his thighs and hands relaxed together. He turns his head gently toward one side and looks into the distance with a calm, thoughtful expression. His white button-up shirt remains clearly visible with the collar and front buttons. Soft station lights create realistic background bokeh. HARD CUT. SCENE 4 — 3.5–4.8s — CAMERA ROTATION AROUND SEATED CHARACTER: Hard cut to the same seating zone from a different composition.
The man remains seated in the same relaxed position while the CAMERA performs a smooth controlled circular rotation/orbit around him, changing from a front/three-quarter view toward a side angle. During the camera rotation, he subtly lifts his chin and looks upward with a quiet emotional expression. His body remains seated and stable; only natural head/eye movement occurs. The circular camera movement is the main movement in this shot. HARD CUT. SCENE 5 — 4.8–6.1s — BOTH ARMS OPEN: Hard cut to a different open section of the same railway platform near a railing, with train tracks and station lights visible behind him. Wide rear/three-quarter shot. The man stands upright and extends BOTH ARMS fully outward to his sides in a free, emotional gesture, palms naturally open, shoulders relaxed. He holds the open-arm pose briefly while facing the open platform/track area. Do not add dancing or any additional hand movement. HARD CUT. SCENE 6 — 6.1–7.5s — WALKING ON PLATFORM: Hard cut to another section of the same station, a long illuminated platform/corridor with pillars, signage, railings and train tracks. Wide rear shot. The man walks away from the camera at a calm natural pace, centered in the walkway, arms naturally swinging with each step. His oversized white short-sleeve button-up shirt, blue street-fit jeans and white sneakers remain clearly visible. Camera remains mostly stable with only subtle natural following movement. HARD CUT. SCENE 7 — 7.5–8.7s — LOOKING AT TRAIN: Hard cut to the train-side area. Medium side-profile shot. The man stands close to the passenger train and looks through/along the train windows with a calm, emotional expression. He remains mostly still, with only a subtle natural head/eye movement toward the train. Preserve realistic train reflections, windows, platform lights and station activity in the background. Camera remains steady. HARD CUT. SCENE 8 — 8.7–10.0s — FINAL LOOK UP: Hard cut to another open section of the SAME railway station near a railing/platform structure. Medium frontal/three-quarter shot. The man stands naturally with relaxed shoulders and slowly raises his gaze upward toward the night sky/overhead station roof, maintaining a subtle emotional expression. His arms remain relaxed at his sides. End on this quiet cinematic final pose without adding another gesture or movement. Preserve the same blue/cyan night atmosphere, station lights and railway environment behind him. CUT STRUCTURE LOCK: EXACTLY 8 separate shots. Every shot starts as a distinct hard cut. Do NOT connect the scenes into continuous physical movement. The man must not be shown walking from one scene into another unless that movement is explicitly described inside that individual scene. Each shot may use a different area, angle, depth or composition of the SAME railway station. CHARACTER MOVEMENT LOCK: reproduce ONLY the movements specified in each scene — natural walking, sitting, subtle head turn, looking upward, camera rotation around seated character, both arms opening outward, walking away and looking toward the train. No extra dance moves, no unnecessary hand gestures, no additional walking, no invented poses and no exaggerated acting. CHARACTER VISIBILITY LOCK: show the man only during the intended portion of each individual shot. Do not extend his visibility beyond the shot. Do not insert him into empty background footage. CAMERA LOCK: Scene 1 stable establishing camera; Scene 2 smooth parallel tracking camera; Scene 3 stable medium camera; Scene 4 smooth controlled circular/orbit camera around the seated man; Scene 5 restrained wide camera; Scene 6 subtle rear-follow/stable camera; Scene 7 stable side camera; Scene 8 stable medium camera with only a very subtle cinematic push-in if naturally appropriate. No random camera movement, no excessive zoom, no unnecessary pan, no tilt, no orbit except Scene 4, and no artificial camera shake.